Romantic Poets and the Culture of PosterityCambridge University Press, 02/12/1999 - 268 من الصفحات This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
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الصفحة viii
... Shelley's works - Difficulties . 1835. Lodore - Its success - Reminiscences of her own experiences -Letter from Clare - Melancholy letter from Mary to Mrs. Gisborne- " A Dirge " -Trelawny returns from America— Mary's friendship with Mrs ...
... Shelley's works - Difficulties . 1835. Lodore - Its success - Reminiscences of her own experiences -Letter from Clare - Melancholy letter from Mary to Mrs. Gisborne- " A Dirge " -Trelawny returns from America— Mary's friendship with Mrs ...
الصفحة v
... Shelley's Juvenilia said to have been printed at Horsham at the expense of his grandfather , Sir Bysshe Shelley , which , apparently , have not survived , and The Wandering Jew , we may assume that Shelley began his literary career with ...
... Shelley's Juvenilia said to have been printed at Horsham at the expense of his grandfather , Sir Bysshe Shelley , which , apparently , have not survived , and The Wandering Jew , we may assume that Shelley began his literary career with ...
الصفحة 13
... Shelley , in very truth , is not entirely sane , and Shelley's poetry is not entirely sane either . The Shelley of actual life is a vision of beauty and radiance , indeed , but availing nothing , effecting nothing . And in poetry , no ...
... Shelley , in very truth , is not entirely sane , and Shelley's poetry is not entirely sane either . The Shelley of actual life is a vision of beauty and radiance , indeed , but availing nothing , effecting nothing . And in poetry , no ...
الصفحة 5
... Shelley's writing. Chris Foss, for example, argues that Shelley's dissatisfaction with the constitution of the third, originally final, act of Prometheus Unbound led Shelley to conceive of a dramatic supplement that would enact, rather ...
... Shelley's writing. Chris Foss, for example, argues that Shelley's dissatisfaction with the constitution of the third, originally final, act of Prometheus Unbound led Shelley to conceive of a dramatic supplement that would enact, rather ...
الصفحة vii
... Shelley's writings in 1814. We should add Shelley's review of Hogg's Memoirs of Prince Alexy Haimatoff . P. 150. Shelley's writings in 1817. Add the fragment of an epistle named The Elysian Fields , and the essay On the Devil and Devils ...
... Shelley's writings in 1814. We should add Shelley's review of Hogg's Memoirs of Prince Alexy Haimatoff . P. 150. Shelley's writings in 1817. Add the fragment of an epistle named The Elysian Fields , and the essay On the Devil and Devils ...
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Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 1999 |
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 2006 |
عبارات ومصطلحات مألوفة
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing