Romantic Poets and the Culture of PosterityCambridge University Press, 02/12/1999 - 268 من الصفحات This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
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الصفحة i
... Dissolution of the Novel : Still Lives ( 1995 ) and An Introduction to Literature , Criticism and Theory : Key Critical Concepts ( 1995 ; second edition 1999 ) . CAMBRIDGE STUDIES IN ROMANTICISM 35 ROMANTIC POETS AND THE CULTURE Half-title.
... Dissolution of the Novel : Still Lives ( 1995 ) and An Introduction to Literature , Criticism and Theory : Key Critical Concepts ( 1995 ; second edition 1999 ) . CAMBRIDGE STUDIES IN ROMANTICISM 35 ROMANTIC POETS AND THE CULTURE Half-title.
الصفحة 2
... dissolution of personal identity into its ideal of the writer. In this sense, the poet is taken out of 'himself ' in writing. Writing is seen to both construct and evacuate the subjectivity of the author: authorial identity is both ...
... dissolution of personal identity into its ideal of the writer. In this sense, the poet is taken out of 'himself ' in writing. Writing is seen to both construct and evacuate the subjectivity of the author: authorial identity is both ...
الصفحة 5
... dissolution or deconstruc- tion . And it is my suggestion that it is in the collapse of this theory in its working through , in multiple , conflicted ways , of an impossible figuration of audience , that we may look to understand the ...
... dissolution or deconstruc- tion . And it is my suggestion that it is in the collapse of this theory in its working through , in multiple , conflicted ways , of an impossible figuration of audience , that we may look to understand the ...
الصفحة 8
... dissolution into the equally momentary ' pang ' in Wordsworth's poem ; the ephemeral physicality , the impermanent somatic presence of the poet's impermanent body in Keats's poem ; a moment of impossible reciprocation , an enactment of ...
... dissolution into the equally momentary ' pang ' in Wordsworth's poem ; the ephemeral physicality , the impermanent somatic presence of the poet's impermanent body in Keats's poem ; a moment of impossible reciprocation , an enactment of ...
الصفحة 14
... dissolution of subjectivity inher- ent in this futuring of the self , the paradox , implicit in any attempt to retain the self after the dissolution of death , that any such survival can only be predicated on the loss of self . Zygmunt ...
... dissolution of subjectivity inher- ent in this futuring of the self , the paradox , implicit in any attempt to retain the self after the dissolution of death , that any such survival can only be predicated on the loss of self . Zygmunt ...
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Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 1999 |
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 2006 |
عبارات ومصطلحات مألوفة
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing