Romantic Poets and the Culture of PosterityCambridge University Press, 02/12/1999 - 268 من الصفحات This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
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الصفحة 1
... immortality effect, the ability of a poem, novel, statue, painting, photo- graph, symphony to survive beyond the death of the artist. But during the eighteenth century this quality begins to be figured as Introduction.
... immortality effect, the ability of a poem, novel, statue, painting, photo- graph, symphony to survive beyond the death of the artist. But during the eighteenth century this quality begins to be figured as Introduction.
الصفحة 4
... immortal- ity in them , they will live ; if they have not , they care little about them as theirs . They do not complain of ... immortality and while Enlightenment poetics figure the test of time as the necessary arbiter of poetic value ...
... immortal- ity in them , they will live ; if they have not , they care little about them as theirs . They do not complain of ... immortality and while Enlightenment poetics figure the test of time as the necessary arbiter of poetic value ...
الصفحة 5
... immortality . In chapter 1 , I attempt to clarify my sense of this ' culture ' by briefly contrasting it with Renaissance con- cerns with immortality on the one hand and by tracing its development from eighteenth - century neoclassical ...
... immortality . In chapter 1 , I attempt to clarify my sense of this ' culture ' by briefly contrasting it with Renaissance con- cerns with immortality on the one hand and by tracing its development from eighteenth - century neoclassical ...
الصفحة 14
... Immortality and Other Life Strategies ( 1992 ) . Bauman argues that the fact of human mortality itself produces culture , that culture in general is a response to the possibil- ity , or necessity , of dying . Culture , in this respect ...
... Immortality and Other Life Strategies ( 1992 ) . Bauman argues that the fact of human mortality itself produces culture , that culture in general is a response to the possibil- ity , or necessity , of dying . Culture , in this respect ...
الصفحة 15
... immortality or con- tinuance ; for to this tendeth generation , and raising of houses and fam- ilies ; to this tend buildings , foundations , and monuments ; to this tendeth the desire of memory , fame , and celebration ; and in effect ...
... immortality or con- tinuance ; for to this tendeth generation , and raising of houses and fam- ilies ; to this tend buildings , foundations , and monuments ; to this tendeth the desire of memory , fame , and celebration ; and in effect ...
طبعات أخرى - عرض جميع المقتطفات
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 1999 |
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 2006 |
عبارات ومصطلحات مألوفة
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing