Romantic Poets and the Culture of PosterityCambridge University Press, 02/12/1999 - 268 من الصفحات This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
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الصفحة 5
... paradox . In chapter 3 , I attempt to trace the alignments of the Romantic culture of posterity with a masculine poetics . I discuss ways in which poetry written by women during the period is coded as feminine in part by virtue of its ...
... paradox . In chapter 3 , I attempt to trace the alignments of the Romantic culture of posterity with a masculine poetics . I discuss ways in which poetry written by women during the period is coded as feminine in part by virtue of its ...
الصفحة 13
... paradox contained within this argument one which , I shall suggest , amounts to a founding problematic of Romantic discourse – involves the question of personal identity . Recent work in what might be called the ' ethics of the future ...
... paradox contained within this argument one which , I shall suggest , amounts to a founding problematic of Romantic discourse – involves the question of personal identity . Recent work in what might be called the ' ethics of the future ...
الصفحة 14
... paradox , implicit in any attempt to retain the self after the dissolution of death , that any such survival can only be predicated on the loss of self . Zygmunt Bauman explores the cultural importance of a futuring of personal identity ...
... paradox , implicit in any attempt to retain the self after the dissolution of death , that any such survival can only be predicated on the loss of self . Zygmunt Bauman explores the cultural importance of a futuring of personal identity ...
الصفحة 35
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الصفحة 59
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طبعات أخرى - عرض جميع المقتطفات
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 1999 |
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 2006 |
عبارات ومصطلحات مألوفة
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing