Romantic Poets and the Culture of PosterityCambridge University Press, 02/12/1999 - 268 من الصفحات This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
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الصفحة 6
... posthumous recognition for the more immediate but necessarily ephemeral gratifications of direct conversational response , and in this chapter I try to see what happens when we take this judge- ment at face value . To this end , I ...
... posthumous recognition for the more immediate but necessarily ephemeral gratifications of direct conversational response , and in this chapter I try to see what happens when we take this judge- ment at face value . To this end , I ...
الصفحة 13
... recognition in writing of the nature of writing in general . Literature after life , or what I have elsewhere termed the ' posthumous life of writing ' , is writing which , in various ways , inscribes itself as a manual practice ...
... recognition in writing of the nature of writing in general . Literature after life , or what I have elsewhere termed the ' posthumous life of writing ' , is writing which , in various ways , inscribes itself as a manual practice ...
الصفحة 16
... recognition of death ultimately determines all culture , that culture is a distorting reflection on the certainty of ... posthumous life , life after death . The distinc- tiveness of this formulation for Romantic writing , I will suggest ...
... recognition of death ultimately determines all culture , that culture is a distorting reflection on the certainty of ... posthumous life , life after death . The distinc- tiveness of this formulation for Romantic writing , I will suggest ...
الصفحة 22
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الصفحة 24
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طبعات أخرى - عرض جميع المقتطفات
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 1999 |
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 2006 |
عبارات ومصطلحات مألوفة
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing