Romantic Poets and the Culture of PosterityCambridge University Press, 02/12/1999 - 268 من الصفحات This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet. |
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الصفحة i
... Reader in English Literature at the University of Bristol . His previous books include Keats , Narrative and Audience : The Posthumous Life of Writing ( 1994 ) , and with Nicholas Royle Elizabeth Bowen and the Dissolution of the Novel ...
... Reader in English Literature at the University of Bristol . His previous books include Keats , Narrative and Audience : The Posthumous Life of Writing ( 1994 ) , and with Nicholas Royle Elizabeth Bowen and the Dissolution of the Novel ...
الصفحة vi
... www.cambridge.org Andrew Bennett 2004 First published in printed format 1999 ISBN 0-511-03635-3 eBook ( Adobe Reader ) ISBN 0-521-64144-6 hardback For Anna Acknowledgements List of abbreviations Introduction PART I Contents Copyright.
... www.cambridge.org Andrew Bennett 2004 First published in printed format 1999 ISBN 0-511-03635-3 eBook ( Adobe Reader ) ISBN 0-521-64144-6 hardback For Anna Acknowledgements List of abbreviations Introduction PART I Contents Copyright.
الصفحة x
... readers for Cambridge University Press read an earlier draft of the book when I thought that it was more or less ... reading and commenting on my ideas as they developed. All of these people have given generously of their time and energy ...
... readers for Cambridge University Press read an earlier draft of the book when I thought that it was more or less ... reading and commenting on my ideas as they developed. All of these people have given generously of their time and energy ...
الصفحة 2
... reading, will survive. It is with Romanticism that this impulse is most clearly and most thoroughly theorised and practised. Indeed, Romanticism itself might be described in terms of a certain value accorded the theory and practice of ...
... reading, will survive. It is with Romanticism that this impulse is most clearly and most thoroughly theorised and practised. Indeed, Romanticism itself might be described in terms of a certain value accorded the theory and practice of ...
الصفحة 3
... readers : the act of writing poetry becomes a self - governing and self - expressive practice . The poet is a ... reading and to the new discipline of literary criticism . In order to discriminate the poet from the scribbler or hack ...
... readers : the act of writing poetry becomes a self - governing and self - expressive practice . The poet is a ... reading and to the new discipline of literary criticism . In order to discriminate the poet from the scribbler or hack ...
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Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 1999 |
Romantic Poets and the Culture of Posterity <span dir=ltr>Andrew Bennett</span> لا تتوفر معاينة - 2006 |
عبارات ومصطلحات مألوفة
aesthetic afterlife argues articulation assertion audience body Byron canon Chatterton Clarendon Coleridge Coleridge's concern constitutes contemporary context criticism culture of posterity D'Israeli dead death declares Derrida desire discourse dissolution Don Juan Dorothy Dorothy Wordsworth eighteenth century English ephemeral epitaph essay example fact Felicia Hemans figure future Gender ghosts Harold Bloom haunting Hazlitt Hemans human Ibid imagination immortality involves Isaac D'Israeli Jacques Derrida John Keats Keats's Keatsian language Leo Bersani letter lines literal literary Literature living London mortal noise Oxford University Press paradox PBSL poem poet's poetic poetry posthumous fame posthumous recognition present Prose published quoted readers reading reception redemptive remembered reputation Robert Southey Romantic culture Romantic period Romantic poets Romantic posterity Romanticism sense Shakespeare Shelley Shelley's sound Southey speaker stanza suggest survival Talker theory Thomas thought Tintern Abbey tion trans voice William William Wordsworth women poets word Wordsworth writing