The Cambridge History of Literary Criticism: Volume 5, RomanticismGeorge Alexander Kennedy, Cambridge University Press, Marshall Brown, Glyn P. Norton, H. B. Nisbet, Alastair J. Minnis, Ian Johnson, Claude Rawson, Christa Knellwolf, A. Walton Litz, Louis Menand, Raman Selden, Rafey Habib, Lawrence Rainey, Christopher Norris, Christa Knellwolf King Cambridge University Press, 1989 - 506 من الصفحات This latest volume in the celebrated Cambridge History of Literary Criticism addresses literary criticism of the Romantic period, chiefly in Europe. Its seventeen chapters are by internationally-respected academics and explore a range of key topics and themes. The book is designed to help readers locate essential information and to develop approaches and viewpoints for a deeper understanding of issues discussed by Romantic critics or those that were fundamental to their works. Primary and secondary bibliographies provide a guide for further research. |
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المحتوى
Classical standards in the period | 7 |
Innovation and modernity | 29 |
ALFRED o DE PAz trans Albert Sbragia | 49 |
Transcendental philosophy and Romantic criticism | 72 |
Nature | 92 |
Scientific models II 5 | 115 |
Religion and literature | 138 |
Language theory and the art of understanding | 162 |
Theories of genre | 226 |
I2 Theory of the novel 2 | 250 |
I3 The impact of Shakespeare | 272 |
I4 The vocation of criticism and the crisis of the republic | 296 |
I5 Women gender and literary criticism 32 I | 321 |
I6 Literary history and historicism | 338 |
Literature and the other arts | 362 |
Bibliography | 387 |
عبارات ومصطلحات مألوفة
aesthetic appear argued beautiful become called Cambridge century character claim Classical Coleridge concept criticism Critique culture discussion distinction early effect English essays example experience expression feeling fiction fragments French Friedrich genre German Goethe Hegel human idea ideal imagination important individual interest irony John Kant knowledge language later lectures less letters linguistic literary literary criticism literary history literature London means mind modern moral nature Novalis novel object organic original Oxford painting particular period philosophy play poem poet poetic poetry political position practice present production prose question readers reason reflection relation remains represented republic rhetoric role Romantic Romanticism Schelling Schiller Schlegel scientific sense Shakespeare spirit sublime symbolic term texts theory thinking thought tion tradition trans translation turn understanding University Press vols whole Wilhelm women Wordsworth writing York