Pope, Print, and Meaning

الغلاف الأمامي
Oxford University Press, 2001 - 257 من الصفحات
'McLaverty's book describes the ways in which Pope used the resources of print - typography, headpieces and tailpieces, title pages, annotations, illustrations - to control the reception of his work McLaverty shows how all Pope's means of publication shaped the meaning of his work for his contemporaries.' -John Mullan, Times Literary SupplementPope's fascination with print - with annotations, illustrations, parallel texts, title-pages, revisions - shapes this reading of his major texts and of his Works 1717 and 1735-6. The book offers fresh insights into Pope's self-presentation and his relation to his readers: he emerges as a figure marginalized socially, politically, and sexually, who gambles with his private life in confronting his opponents.
 

المحتوى

List of Illustrations
8
From Miscellany Endpiece to Illustrated
14
Building a Monument
46
The Limits of Dialogue
82
Title Pages
107
Textual Variation Sexuality
175
Popes Notes
209
Works Cited
241
Index
251
حقوق النشر

عبارات ومصطلحات مألوفة

نبذة عن المؤلف (2001)

James McLaverty is at Senior Lecturer in English at Keele University.

معلومات المراجع