Mozart: Traces of TranscendenceSCM Press, 1992 - 81 من الصفحات For Hans Kung, as for many other people, something can sometimes appear in Mozart's music which goes beyond the human dimension and gives intimations of a bliss which transcends even all music. In this short book he sets out to identify what it is. Much, he argues, has been written about Wolfgang Amadeus Mozart, but relatively little about the religious dimension of his person and music. While it is completely taken for granted that Johann Sebastian Bach has Protestant roots and was a pious man, that Mozart was a Catholic and wrote music for masses is virtually ignored. So the first part of the book looks at Mozart's life and music from this perspective and asks how it contributes towards those 'traces of transcendence' which may be perceptible to those open to them. The second part sheds new light on Mozart's Coronation Mass by setting it against its contemporary cultural and political horizon and the critical confrontation with religion beginning at the ,irrie of its composition. Here is a work which is not only worthy to stand alongside Karl Barth's famous study, but which for many readers will even eclipse it. |
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الصفحة 30
... secular and sacral art , yet it can distinguish very clearly between opera and church : for example where Mozart , the music dramatist par excellence , composes the transition from passus et sepultus , crucified and buried , to ...
... secular and sacral art , yet it can distinguish very clearly between opera and church : for example where Mozart , the music dramatist par excellence , composes the transition from passus et sepultus , crucified and buried , to ...
الصفحة 49
... secular , extremely popular instrument for accompanying dance music as well ? And what about the great church musician Johann Sebastian Bach ? Did not he , like Mozart , reject a fundamental division between secular and spiritual music ...
... secular , extremely popular instrument for accompanying dance music as well ? And what about the great church musician Johann Sebastian Bach ? Did not he , like Mozart , reject a fundamental division between secular and spiritual music ...
الصفحة 50
... secular madrigal music of the time ? No , this allegedly exemplary sixteenth - century church music was at any rate no less time - conditioned than that of Mozart , whose Salzburg type of mass found its most perfect expression in the ...
... secular madrigal music of the time ? No , this allegedly exemplary sixteenth - century church music was at any rate no less time - conditioned than that of Mozart , whose Salzburg type of mass found its most perfect expression in the ...
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Agnus Agnus Dei archbishop Ave verum belief Benedictus century Certainly Christe eleison Christian Church Dogmatics Colloredo composer composition concert confession Credo criticism of religion death divine Dona nobis pacem earth Enlightenment eternal eucharist excelsis expression father from Vienna Feuerbach Gloria God's Hans Küng Haydn hear heaven Holy Hosanna human hymn Ibid incarnate increasingly interpretation Jesus Johann Friedrich Doles Johann Sebastian Bach Karl Barth Karl Michael Komma Küng Kyrie eleison Lamb Lamb of God Leipzig Leopold Mozart letter listen to Mozart's Lord major KV Masonic mercy Minor Mass miserere nobis Mozart's church music Mozart's Coronation Mass Mozart's music musician musicologist mystery mystical sanctuary opera opium Paris Patris person phenomenon of Mozart praise Protestant question religious Salzburg Sanctus secular someone sound speak spirit symphony takest thee Theme theologian theological Thou tollis peccata Traces of Transcendence W. A. Mozart Wolfgang Amadeus Mozart Wolfgang Hildesheimer words worship