Mozart: Traces of TranscendenceSCM Press, 1992 - 81 من الصفحات For Hans Kung, as for many other people, something can sometimes appear in Mozart's music which goes beyond the human dimension and gives intimations of a bliss which transcends even all music. In this short book he sets out to identify what it is. Much, he argues, has been written about Wolfgang Amadeus Mozart, but relatively little about the religious dimension of his person and music. While it is completely taken for granted that Johann Sebastian Bach has Protestant roots and was a pious man, that Mozart was a Catholic and wrote music for masses is virtually ignored. So the first part of the book looks at Mozart's life and music from this perspective and asks how it contributes towards those 'traces of transcendence' which may be perceptible to those open to them. The second part sheds new light on Mozart's Coronation Mass by setting it against its contemporary cultural and political horizon and the critical confrontation with religion beginning at the ,irrie of its composition. Here is a work which is not only worthy to stand alongside Karl Barth's famous study, but which for many readers will even eclipse it. |
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الصفحة 17
... spirit of Mozart , give a better direction for the churches today ? The question remains : has this brought us perhaps one step nearer to the phenomenon of Mozart ? Can we now describe more closely the enigma of Mozart , the ' mystery ...
... spirit of Mozart , give a better direction for the churches today ? The question remains : has this brought us perhaps one step nearer to the phenomenon of Mozart ? Can we now describe more closely the enigma of Mozart , the ' mystery ...
الصفحة 31
... even musical specialists would not dispute that the listener with a religious orientation also has a right to personal experiences of the music of this by no means unreligious musician , music in which spirit and form coincide 31.
... even musical specialists would not dispute that the listener with a religious orientation also has a right to personal experiences of the music of this by no means unreligious musician , music in which spirit and form coincide 31.
الصفحة 32
... spirit ; the self is silent , and all external factors , all encounter , all the split between subject and object , has for a moment been overcome . The music is no longer something over against me , but is what embraces me , penetrates ...
... spirit ; the self is silent , and all external factors , all encounter , all the split between subject and object , has for a moment been overcome . The music is no longer something over against me , but is what embraces me , penetrates ...
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Agnus Agnus Dei archbishop Ave verum belief Benedictus century Certainly Christe eleison Christian Church Dogmatics Colloredo composer composition concert confession Credo criticism of religion death divine Dona nobis pacem earth Enlightenment eternal eucharist excelsis expression father from Vienna Feuerbach Gloria God's Hans Küng Haydn hear heaven Holy Hosanna human hymn Ibid incarnate increasingly interpretation Jesus Johann Friedrich Doles Johann Sebastian Bach Karl Barth Karl Michael Komma Küng Kyrie eleison Lamb Lamb of God Leipzig Leopold Mozart letter listen to Mozart's Lord major KV Masonic mercy Minor Mass miserere nobis Mozart's church music Mozart's Coronation Mass Mozart's music musician musicologist mystery mystical sanctuary opera opium Paris Patris person phenomenon of Mozart praise Protestant question religious Salzburg Sanctus secular someone sound speak spirit symphony takest thee Theme theologian theological Thou tollis peccata Traces of Transcendence W. A. Mozart Wolfgang Amadeus Mozart Wolfgang Hildesheimer words worship