Fictions of Reality in the Age of Hume and JohnsonUniversity of Wisconsin Press, 1989 - 262 من الصفحات During the second half of the 18th century the most powerful literary work in Britain was nonfictional - philosophy, history, biography, and political controversy, Leo Damrosch argues that this tendency is no accident; at the beginning of the modern age, writers were consciously aware of the role of cultural fictions, and they sought to ground those fictions in a real world beyond the text. Their political conservatism was a considered response to a world in which meaning was inseparable from consensus, and in which consensus was increasingly under attack. |
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الصفحة 25
... rhetoric . In Of Eloquence Hume laments the mediocrity of public speaking in his own time , which he attributes to an abdication of oratory's traditional func- tion : " Now , banish the pathetic from public discourses , and you reduce ...
... rhetoric . In Of Eloquence Hume laments the mediocrity of public speaking in his own time , which he attributes to an abdication of oratory's traditional func- tion : " Now , banish the pathetic from public discourses , and you reduce ...
الصفحة 108
... rhetorical effects ( the " de- scriptions " ) rather than with the truth status of what is described . So long as the rhetoric is kept reasonably " plain , " the two modes approach each other very closely . As Gossman shows , eighteenth ...
... rhetorical effects ( the " de- scriptions " ) rather than with the truth status of what is described . So long as the rhetoric is kept reasonably " plain , " the two modes approach each other very closely . As Gossman shows , eighteenth ...
الصفحة 112
... rhetoric to recreate the experience of the ages . In analyses of this rhetoric , too much has probably been made of its famous irony , which is certainly brilliant but is not really the dominant note . More characteristic is the trick ...
... rhetoric to recreate the experience of the ages . In analyses of this rhetoric , too much has probably been made of its famous irony , which is certainly brilliant but is not really the dominant note . More characteristic is the trick ...
المحتوى
Texts and Their Realities | 3 |
Fictions of Self and World | 16 |
Life as Art | 66 |
حقوق النشر | |
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