The Epic VoiceMouton, 1968 - 140 من الصفحات |
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الصفحة 12
... language which critics have invented to describe the show - tell distinction has tended too often to suggest that modern fiction is contemptuous of the latter and that classical fiction was incapable of the former . As Wayne Booth's ...
... language which critics have invented to describe the show - tell distinction has tended too often to suggest that modern fiction is contemptuous of the latter and that classical fiction was incapable of the former . As Wayne Booth's ...
الصفحة 89
... language , Isabel MacAffrey offers us a reason which , though obviously not intended for our discussion , can easily be accommodated to it . - The conditions of the poem obviously exclude certain poetic devices and styles . ... The ...
... language , Isabel MacAffrey offers us a reason which , though obviously not intended for our discussion , can easily be accommodated to it . - The conditions of the poem obviously exclude certain poetic devices and styles . ... The ...
الصفحة 90
... language is to be found in the language of Adam . Like Raphael , Adam , up to the climactic fall in Book IX , is an innocent creature , sharing in the preternatural gifts bestowed upon him by God and living the same life of grace as ...
... language is to be found in the language of Adam . Like Raphael , Adam , up to the climactic fall in Book IX , is an innocent creature , sharing in the preternatural gifts bestowed upon him by God and living the same life of grace as ...
عبارات ومصطلحات مألوفة
Abdiel Achilles Adam Adam's adventures Aegisthus Aeneas's Aeneid Agamemnon allegory Amphialus Andromana angelic Antiphilus Arcadia Ariostan artistic audience Basilius Basilius's Beowulf Book Bowra C. S. Lewis Canto chapter characterization characters creation critics delegated voice device distinction divine dramatic E. M. W. Tillyard English epic epic poem epic simile epic voice episode example exposition Faerie Queene fiction function Guyon hero heroic poem Homer Iliad incident intention ironic Kalander's kind knowledge later limited literary epic main action main plot medias res structure metaphor Milton modulation Musidorus and Pyrocles Musidorus's narrative Nestor's obvious Odyssey Old Arcadia omniscient narration omniscient voice Pamela Paradise Lost parallel Phaeacians Philoclea poet poet's Poetry princes problem Raphael Raphael's narration recitation recognize Red Cross relationship restricted narration restricted voice reveals revision rhetorical romance romantic epic Satan's Sidney Sidney's Arcadia significant speaker Spenser story Swedenberg tangential narrations tion tradition Troy Ulysses Virgil Zelmane