Cambridge University Press, 27/05/1999 - 296 من الصفحات
This edition tells the story of Hamlet in production, from Burbage at the Globe to Branagh on film, relating stage interpretations to developments in the theatre, in literary criticism and in society. The detailed stage history records an ongoing process of discovery, as successive performers have found what it is in the play that will speak most powerfully to the audiences of their own times. The introduction focuses not only on star Hamlets, but on whole productions of the play including supporting players and, in this century, direction and design.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
acting action actor appearance arms audience Barrymore body Booth Branagh Burton century character CLAUDIUS comes court dead death directed effect emphasized Enter especially Exit expression eyes face falls father Fechter feeling film final follow Garrick GERTRUDE Ghost Gielgud give Hamlet hand hath head hear heaven hold Horatio Irving John Kean Kemble King King's Laertes leave less light look lord Macready madness MARCELLUS March means mother nature never night November Observer Olivier Ophelia Osric passion pause performance play players Polonius Prince production promptbook Queen question reading reviewers role Rosencrantz Rosencrantz and Guildenstern scene seems seen Shakespeare soliloquy soul speak speech spoke stage stands Sterne suggested tell Terry Theatre thee thing thou thought tone true turned voice whole young