But he was saved by a compassionate shepherd and became the adopted son of Pol'y-bus, king of Corinth. When he grew up he was troubled by a rumor that he was not his father's H: went to consult the oracle of Apollo at Delphi, and was told-not of his origin but of his destiny-that he should be guilty of parricide and incest. son. "He was too horror-stricken to return to Corinth, and as he traveled the other way, he met Laius going from Thebes to Delphi. The travelers quarreled, and the son killed his father, but knew not whom he had slain. He went onward till he came near Thebes, where the Sphinx was making havoc of the noblest citizens. Edipus solved her riddle and overcame her, and as Laius did not return, was rewarded with the regal sceptre,—and with the hand of the queen. "He reigned nobly and prosperously, and lived happily with Jocasta, by whom he had four children. 'But after some years a plague descended on the people, and Apollo, on being inquired of, answered that it was for Laius's death. The act of regicide must be avenged. Edipus undertakes the task of discovering the murderer,—and in the same act discovers his own birth, and the fulfillment of both the former oracles. "Jocasta hangs herself, and Edipus, in his despair, puts out his eyes." It is the object of Sophocles to present at first the protagonist of his play, King Edipus, in the character of a man supremely prosperous and happy. The prosperity and the happiness are, however, not real. This the spectators of the play, familiar beforehand with the story of Edipus, perfectly understand. Their interest in the spectacle is not the interest of persons awaiting with curiosity an unforeseen development of plot. It is rather the interest of observers who, themselves in the secret of the future, contemplate the conduct of persons involved in a destiny of which they, the observed, are unawarę, We may omit the opening scene, in which the sympathies of the spectators are by the poet skillfully engaged on behalf of King Edipus unconsciously in the toils of fate. In response to the appeals of his people he issues his royal mandate against the unknown murderer of Laius, as follows (the spectators shudder with pity and horror, considering how, in the terms of this edict, unconsciously the king is denouncing himself): Whoever is the author of the deed, I here prohibit all within this realm Whereof I wield the sovereignty and sway, To admit him to their doors or speak with him, Or lustral rite. All men shall thrust him forth, By this day's oracle from Pytho's cell. Thus firm is mine allegiance to the God And now the king, blindfold to fate, imprecates-in form as upon another-upon himself, a fearful curse: Now on the murderer, whether he lurk In lonely guilt, or with a numerous band, I here pronounce this curse: let his crushed life Next, I pray Heaven, should he or they be housed A colloquy ensues between Edipus and the chorus, most artfully contrived by Sophocles to increase the tension of the situation. A certain blind prophet, Tei'-re'si-as by nameMilton mentions him for parallel with himself in the Paradise Lost is to be invoked. This prophet is reluctant to appear, knowing in himself what a burden he bears of doom for the king. He comes at last, and the situation grows gradually more intense throughout the conversation that follows between the king and the seer. The king speaks first in the character of a gracious sovereign paying just tribute, which ought to be appreciated, to a venerable prophet. The stubborn reticence of the prophet-reticence inspired, the spectator understood how, but the king did not know or guessat last irritated Edipus. The baffled monarch begins to divine the reason for the strange behavior of Teiresias-but to divine it utterly wrong. He suspects his brother-in-law, Creon, of designs against himself. Creon, Edipus thinks, has set Teiresias on to engender among the people distrust of their king. But the dialogue is too important not to be shown somewhat at large: Ed. O thou whose universal thought surveys All knowlege and all mysteries, in heaven We cast ourselves on thee: and beautiful Whom knowledge profits not. This well I knew, The state that reared thee of thine utterance now. And I would shield me from the like mishap. Lo, all these suppliants are entreating thee! Utter the sound that shall reveal thine evil. Tei. You press me to no purpose. I'll not pain Thee, nor myself. Thou wilt hear nought from me. Ed. How? Miscreant! thy stubbornness would rouse Tei. You censure me for my harsh mood. Your own Tei. It will come : Ed. Must not the king be told of what will come? Rage to the height of passionate vehemence. By that thou hast proclaimed; and from this hour Thou art the vile polluter of the land. Ed. O void of shame! What wickedness is this? What power will give thee refuge for such guilt? Tei. The might of truth is scatheless. Ed. Whence gottest thou this truth? Not from thine art. Tei. From thee, whose rage impelled my backward tongue. Ed. Say it once more, that may know the drift. Tei. Was it so dark? Or wouldst thou tempt my voice? Ed. I cannot say 'twas clear. Speak it again. Tei. I say thou art the murderer whom thou seekest. In shameful commerce with thy near'st of blood, Blind as thou art in eyes and ears and mind. Behold thee, soon shall thunder forth on thee ! Ed. Nursed in unbroken night, thou canst not harm, Tei. No, not from me proceeds thy fall; the God, The chorus intervene with the soft answer which turns away wrath: Ch. Your friends would humbly deprecate the wrath How best to solve the heavenly oracle. Teiresias has time, during this short intervention from the chorus, to collect himself. He resumes speech to Edipus, and enigmatically, with stern truth, threatens the impending doom: Tei. Though thou art sovereign here, the right of speech I serve, but Phoebus. He protects my life. Small need of Creon's arm to shelter me! Now, then my blindness is thy theme :-thou hast What halls thou dost inhabit, or with whom : Unwittingly art a most grievous foe. And when thy father's and thy mother's curse With fearful tread shall drive thee from the land, On both sides lashing thee,-thine eye so clear Seeing but darkness in that day,-O, then, |