Oph. You are naught, you are naught. I'll mark | Our wills and fates do so contrary run, the play. Pro. "For us, and for our tragedy, Here stooping to your clemency, Ham. Is this a prologue, or the poesy of a ring? Enter the Player King and Player Queen. car [moon So far from cheer, and from your former state, Now, what my love is proof hath made you know, Where love is great, the littlest doubts are fear; Where little fears grow great, great love grows there. b [too; P. King. 'Faith, I must leave thee, love, and shortly P. Queen. P. Queen. The instances, that second marriage P. King. I do believe you think what now you Το ourselves what to ourselves is debt: 3 Their own enactors with themselves destroy: For who not needs shall never lack a friend; But, orderly to end where I begun, "Siz'd," i. e., proportioned.-b"Operant." i. e., active, "The instances," i. e., the motives.-d" Validity," i. e., value; efficacy. That our devices still are overthrown; Our thoughts are ours, their ends none of our own; Sport and repose lock from me, day and night! Ham. If she should break her vow,- here a while: My spirits grow dull, and fain I would beguile [Sleeps. Sleep rock thy brain; And never come mischance between us twain ! P. Queen. [Exit. Ham. Madam, how like you this play? King. Have you heard the argument? Is there no offence in't? Ham. No, no; they do but jest, poison in jest: no offence i' the world. Tropi King. What do you call the play? Ham. The mouse-trap. Marry, how? cally. This play is the image of a murder done in Vienna: Gonzago is the duke's name; his wife, Baptista. You shall see anon: 'tis a knavish piece of work; but what of that? your majesty, and we that have free souls, it touches us not: let the gal led jade wince, our withers are unwrung. Enter LUCIANUS. This is one Lucianus, nephew to the king. Oph. You are as good as a chorus, my lord. Ham. I could interpret between you and your love, if I could see the puppets dullying. Oph. You are keen, my lord, you are keen. Ham. It would cost you a groaning to take off my edge. Oph. Still better, and worse. Ham. So you must take your husbands.-Begin, murderer: leave thy damnable faces, and begin. Come :-The croaking raven doth bellow for revenge. Luc. Thoughts black, hands apt, drugs fit, and time agreeing; Confederate season, else no creature seeing; [Pours the Poison into the Sleeper's Ears. Ham. He poisons him i' the garden for his estate. His name's Gonzago: the story is extant, and writ ten in very choice Italian. You shall see anon, how the murderer gets the love of Gonzago's wife. Oph. The king rises. Ham. What! frighted with false fire? Queen. How fares my lord? Pol. Give o'er the play. King. Give me some light!-away ' [Exeunt all but HAMLET and HORATIO • Anchor's for anchoret's.-"" Blanks." i. e., blanches; whitens.-"The mouse-trap," ie., The thing in which he'll catch the conscience of the king.'-"Tropically," i. e., figuratively." Ban," i, e., curse. Ham. Why, let the stricken deer go weep, The hart ungalled play; For some must watch, while some must sleep: Thus runs the world away.Would not this, sir, and a forest of feathers, (if the rest of my fortunes turn a Turk with me) with two Provincial roses on my raised shoes, get me a fellowship in a cry of players, sir? C Hor. Half a share. For thou dost know, O Damon dear! Of Jove himself; and now reigns here Hor. You might have rhymed. Ham. O good Horatio! I'll take the ghost's word for a thousand pound. Didst perceive? Ham. Upon the talk of the poisoning,― Ham. Ah, ha!-Come; some music! come; the d recorders! For if the king like not the comedy, Why then, belike, he likes it not, 'perdy.- Come; some music! temper? you do, surely, but bar the door upon your own liberty, if you deny your griefs to your friend. Ham. Sir, I lack advancement. Ros. How can that be, when you have the voice of the king himself for your succession in Den mark? Ham. Ay, sir, but "while the grass grows,"-the proverb is something musty. 3 Enter one with a Recorder. O! the recorder:-let me see one.-To withdraw with you-why do you go about to recover the swind of me, as if you would drive me into a toil! Guil. O, my lord! if my duty be too bold, my love is too unmannerly. Ham. I do not well understand that. Will you play upon this pipe? Guil. My lord, I cannot. Guil. Believe me, I cannot. Guil. I know no touch of it, my lord. Ham. It is as easy as lying: govern these ventages with your finger and thumb, give it breath with your mouth, and it will discourse most eloquent music. Look you, these are the stops. Guil. But these cannot I command to any utter Guil. Good my lord, vouchsafe me a word with you. ance of harmony: I have not the skill. Ham. Sir, a whole history. Guil. The king, sir, Ham. Ay, sir, what of him? Ham. Why, look you now, how unworthy a thing you make of me, You would play upon me; you would seem to know my stops; you would pluck out Guil. Is in his retirement marvellous distempered. the heart of my mystery; you would sound me from Ham. With drink, sir? Guil. No, my lord, with choler. Ham. Your wisdom should show itself more richer, to signify this to his doctor; for, for me to put him to his purgation would, perhaps, plunge him into more choler. 2 Guil. Good my lord, put your discourse into some frame, and start not so wildly from the affair. Ham. I am tame, sir: pronounce. Guil. The queen your mother, in most great affiction of spirit, hath sent me to you. Ham. Sir, I cannot. Guil. What, my lord? my lowest note to the top of my compass; and there is much music, excellent voice, in this little organ, yet cannot you make it speak. 'Sblood! do you think I am easier to be played on than a pipe? Call me what instrument you will, though you can fret me, you cannot play upon me. Ham. Then, will I come to my mother by and by, Ham. Make you a wholesome answer; my wit's-They fool me to the top of my bent.-I will come diseased: but, sir, such answer as I can make, you shall command; or, rather, as you say, my mother: therefore no more, but to the matter. My mother, you say, Ros. Then, thus she says. Your behavior hath struck her into amazement and admiration. Ham. O wonderful son, that can so astonish a mother!-But is there no sequel at the heels of this mother's admiration? impart. 'Ros. She desires to speak with you in her closet, ere you go to bed. Ham. We shall obey, were she ten times our To turn Turk was a familiar phrase for any violent change in condition or character,b Cry was a term in falconry for a pack, a company. The players were paid by shares or portions of the profit, according to merit.-d The recorder was a kind of flute.-"Belike." i. e., probably.'Perdy, a corruption of the French par Dieu. by and by. The soul of Nero enter this firm bosom: I will speak daggers to her, but use none; [blood, [Exit. "To recover the wind," i. e., to get to windward; to take advantage." Ventages," i, e., holes.-To the top of my bent," i, e., to the utmost of my disposition"Shent," i. e., reproved; disgraced. To give them seals," i, e., to put them in execution. SCENE III-A Room in the Same. Enter King, ROSENCRANTZ, and GUILDENSTERN. King. I like him not; nor stands it safe with us, To let his madness range. Therefore, prepare you: I your commission will forthwith despatch, And he to England shall along with you. The terms of our estate may not endure Hazard so dangerous, as doth hourly grow Out of his lunacies. Guil. We will ourselves provide. Most holy and religious fear it is, To keep those very many bodies safe, That live, and feed, upon your majesty. Ros. The single and peculiar life is bound, With all the strength and armor of the mind, To keep itself from 'noyance; but much more That spirit, upon whose weal depend and rest The lives of many. The cease of majesty Dies not alone; but like a gulf doth draw What's near it with it: it is a massy wheel, Fix'd on the summit of the highest mount, To whose huge spokes ten thousand lesser things Are mortis'd and adjoin'd; which, when it falls, Each small annexment, petty consequence, Attends the boisterous ruin. Never alone Did the king sigh, but with a general groan. King. Arm you, I pray you, to this speedy voyage; For we will fetters put upon this fear,' Which now goes too free-footed. Ros. and Guil. We will haste us. [Exeunt ROSENCRANTZ and GUILDENSTERN. Enter POLONIUS. Pol. My lord, he's going to his mother's closet. Behind the arras I'll convey myself, [home; To hear the process: I'll warrant, she'll tax him And, as you said, and wisely was it said, 'Tis meet that some more audience than a mother, Since nature makes them partial, should o'erhear The speech, of d vantage. Fare you well, my liege: I'll call upon you ere you go to bed, And tell you what I know. King. Thanks, dear my lord. [Exit POLONIUS. O! my offence is rank, it smells to heaven; Or pardon'd, being down? Then, I'll look up: 2 "Weal," i. e., welfare-"Cease," i. e., extinction."Arras," i. e., tapestry.-" Of vantage," i. e., for advan tage." Primal," ì, e., original, In his true nature; and we ourselves compell'd, [Kneels. Enter HAMLET behind, his Sword drawn. I, his sole son, do this same villain send Why, this is hire and salary, not revenge. Up, sword; and know thou a more horrid 1hent. Then trip him, that his heels may kick at heaven, [Exit King. [Rising.] My words fly up, my thoughts remain below: Words without thoughts never to heaven go. [Exit SCENE IV.-A Room in the Same. Enter Queen and POLONIUS. Pol. He will come straight. Look, you lay home to him; Tell him, his pranks have been too broad to bear with, Ham. [Wilhin.] Mother, mother, mother! Fear me not-withdraw, I hear him coming. Ham. Now, mother: what's the matter? Ham. Come, come, and sit you down; you shall | To serve in such a difference. What devil was't, not budge: You go not, till I set you up a glass Pol. [Behind.] What, ho! help! help! help! [HAMLET makes a pass through the Arras. [Lifts the Arras, and draws forth POLONIUS. Ham. If damned custom have not braz'd it so, Ham. Such an act, Queen. Hyperion's curls; the front of Jove himself; d New-lighted on a heaven-kissing hill; A combination, and a form, indeed, Else, could you not have motion; but, sure, that sense "Of contraction," i. e., of the marriage contract.Tristful," i. e., sad; sorrowful.-"Hyperion's," i. e., Apollo's,-"A station," i. e., an attitude." Batten," i. e., feed grossly. Sense is used here for sensation, perception. That thus hath cozen'd you at hoodman-blind! O shame! where is thy blush? Rebellious hell, O Hamlet! speak no more. Ham. Nay, but to live Ham. A murderer, and a villain; No more! "Hoodman-blind," i. e., blindman's buff.-"Sans, i without."Could not so mope," i. e., could not be 0 stupid. "Grained," i. c., dyed in grain."Tinct," vice," i. e., a mimic; a counterfeit." Conceit," i. e imag color. Enscamed," i, e., greasy; rank; gross-""A nation.-P The hair is excrementitious, that is, without life of sensation.-"Capable," ie., susceptible; intelligent "Effects," i. e., affections of the mind; dispositions, My pulse, as yours, doth temperately keep time, Ham. O throw away the worser part of it, That monster, custom, who all sense doth eat To the next abstinence: the next more easy; The death I gave him. So, again, good night.- Thus bad begins, and worse remains behind.- d Ham. Not this, by no means, that I bid you do: But mad in craft. "Twere good, you let him know; "Ecstasy," i. e., frenzy; madness.-b"Compost," i. e., manure. Curb," i. e., bow; do obeisance.-d Mouse was formerly a term of endearment." Reechy," i. e., filthy; foul. Paddock," i, e., toad.- "Gib," ie, cat, Alack! Ham. I must to England; you know that. I'll lug the guts into the neighbor room.- [Exeunt severally; HAMLET dragging in POLONIUS. It had been so with us, had we been there. His liberty is full of threats to all; To you yourself, to us, to every one. Alas! how shall this bloody deed be answer'd? To keep it from divulging, let it feed Queen. To draw apart the body he hath kill'd; The sun no sooner shall the mountains touch, "Conclusions," i, e., experiments.-"Hoist with his own petar," i. e., blown up with his own bomb, or mortar. Neighboring."Out of haunt," i, e., out of company."A mineral," i. e., a mine. |