A course of lectures on painting, ed. by F. HowardH.G. Bohn, 1848 - 300 من الصفحات |
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الصفحة lii
... dark draperies introduced wherever wanted to connect masses of similar colour disposed diagonally ; and almost all the front heads re- lieved dark against a light ground . His compositions are sometimes crowded and extravagant in the ...
... dark draperies introduced wherever wanted to connect masses of similar colour disposed diagonally ; and almost all the front heads re- lieved dark against a light ground . His compositions are sometimes crowded and extravagant in the ...
الصفحة lvii
... dark in the cloak of the figure playing on the lute , and his bonnet ; his white tunic masses with his music - book , and is carried off to a castle in the distance by a light on his hand , and thence to the mountains and sky , all much ...
... dark in the cloak of the figure playing on the lute , and his bonnet ; his white tunic masses with his music - book , and is carried off to a castle in the distance by a light on his hand , and thence to the mountains and sky , all much ...
الصفحة lix
... , by Paolo ; masses of light lying in serpentine lines , light opposed against dark , and vice versa , warm by grey , & c . This school seems some- times deficient in massing its lights , and to have MEMOIR OF HENRY HOWARD . lix.
... , by Paolo ; masses of light lying in serpentine lines , light opposed against dark , and vice versa , warm by grey , & c . This school seems some- times deficient in massing its lights , and to have MEMOIR OF HENRY HOWARD . lix.
الصفحة lxxiii
... dark her silver mantle threw . " Paradise Lost . which was purchased by Jesse Watts Russell , Esq . In 1830 he painted a picture of " Shakspeare nursed in the lap of Fancy . " " The poet's eye , in a fine frenzy rolling , Doth glance ...
... dark her silver mantle threw . " Paradise Lost . which was purchased by Jesse Watts Russell , Esq . In 1830 he painted a picture of " Shakspeare nursed in the lap of Fancy . " " The poet's eye , in a fine frenzy rolling , Doth glance ...
الصفحة 6
... dark tints , ) the painter is able to copy the appearances of things so perfectly as to produce illusion ; and , in certain cases , even to deceive the eye . The great and general admiration ex- cited by this capability has misled some ...
... dark tints , ) the painter is able to copy the appearances of things so perfectly as to produce illusion ; and , in certain cases , even to deceive the eye . The great and general admiration ex- cited by this capability has misled some ...
طبعات أخرى - عرض جميع المقتطفات
A Course of Lectures on Painting, Ed. by F. Howard <span dir=ltr>Henry Howard</span> لا تتوفر معاينة - 2015 |
A Course of Lectures on Painting, Ed. by F. Howard <span dir=ltr>Henry Howard</span> لا تتوفر معاينة - 2018 |
A Course of Lectures on Painting, Ed. by F. Howard <span dir=ltr>Henry Howard</span> لا تتوفر معاينة - 2017 |
عبارات ومصطلحات مألوفة
admirable adopted afford agreeable Albert Durer ancients Angelo antique appears architecture arrangement artist background beautiful Bologna breadth Caracci Carracci cartoon Castel Gandolfo celebrated character chiaroscuro Christ church collection colour composition contrived copy Correggio degree delightful Dilettanti Society Domenichino drapery drawing effect endeavour excellence exhibited expression extensive feeling finest Fra Bartolomeo genius Giorgione give grace grand groupe Guercino Guido harmony head Howard hues imitation invention Last Judgment Lecture less Lionardo Lodovico Caracci Madonna mass masters ment mind National Gallery nature observations painter painting palace Paolo Paolo Veronese particular perfect perhaps picture picturesque poetical poetry portrait possession principles produced qualities quantity racter Raffaelle remarkable Rembrandt Reynolds rich Royal Academy Rubens sculpture seems seen shadows shew sketch specimens student style sublime taste thing Tintoretto tints tion Titian tone true truth ture Venetian School Venus Vinci warm whole
مقاطع مشهورة
الصفحة lxxiii - Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests Were slunk, all but the wakeful nightingale. She all night long her amorous descant sung : Silence was pleased. Now...
الصفحة 18 - But the knowledge of nature is only half the task of a poet; he must be acquainted likewise with all the modes of life. His character requires that he estimate the happiness and misery of every condition; observe the power of all the passions in all their combinations, and trace the changes of the human mind as they are modified by various institutions and accidental influences of climate or custom, from the sprightliness of infancy to the despondence of decrepitude.
الصفحة lxxiv - And with these raptures moves the vocal air To testify his hidden residence. How sweetly did they float upon the wings Of silence, through the empty-vaulted night.
الصفحة 18 - To a poet nothing can be useless. Whatever is beautiful and whatever is dreadful must be familiar to his imagination; he must be conversant with all that| is awfully vast or elegantly little.
الصفحة lxxiv - Now the bright morning star, day's harbinger, Comes dancing from the east, and leads with her The flowery May, who from her green lap throws The yellow cowslip, and the pale primrose. Hail, bounteous May, that dost inspire Mirth, and youth, and warm desire ; Woods and groves are of thy dressing, Hill and dale doth boast thy blessing. Thus we salute thee with our early song, And...
الصفحة lxxii - Morpheus house doth hastily repaire. Amid the bowels of the earth full steepe, And low, where dawning day doth never peepe...
الصفحة lxv - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath. That the rude sea grew civil at her song ; And certain stars shot madly from their spheres, To hear the sea-maid's music.
الصفحة lxix - But opposite in levell'd west was set, His mirror, with full face borrowing her light From him ; for other light she needed none In that aspect, and still that distance keeps Till night ; then in the...
الصفحة 73 - ... from the tips of the fingers of one hand to those of the other, — involving the principle of the square.
الصفحة 13 - The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real, they would please no more. Imitations produce pain or pleasure, not because they are mistaken for realities, but because they bring realities to mind.