The Quarterly Review, المجلد 131John Murray, 1871 |
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النتائج 6-10 من 79
الصفحة 19
... means the fool that posterity represents him to have been , showed his discrimination by No account is to be made of the document which professes to describe Shak- speare as holding a share in the theatre as early as 1596. With that ...
... means the fool that posterity represents him to have been , showed his discrimination by No account is to be made of the document which professes to describe Shak- speare as holding a share in the theatre as early as 1596. With that ...
الصفحة 27
... meaning surely is , that Shakspeare had intended to collect and publish his own works , and to rescue them not only from oblivion but from the inaccuracies and deformities of careless and surreptitious copyists ; that he had by him at ...
... meaning surely is , that Shakspeare had intended to collect and publish his own works , and to rescue them not only from oblivion but from the inaccuracies and deformities of careless and surreptitious copyists ; that he had by him at ...
الصفحة 28
... means easy to decipher . If we may speak dogmatically upon such slender proofs as we now possess , he learnt to write after the old German text - hand then in use at the grammar school of Stratford . It was in this respect fifty years ...
... means easy to decipher . If we may speak dogmatically upon such slender proofs as we now possess , he learnt to write after the old German text - hand then in use at the grammar school of Stratford . It was in this respect fifty years ...
الصفحة 32
... meaning to the confused and incoherent creeds of mankind . Perhaps also to one who carved out for himself a wholly un- trodden path like Shakspeare , who had little of the countenance of the learned or the confidence of rules and ...
... meaning to the confused and incoherent creeds of mankind . Perhaps also to one who carved out for himself a wholly un- trodden path like Shakspeare , who had little of the countenance of the learned or the confidence of rules and ...
الصفحة 41
... meaning and conception of the poet , they are intelligible to us , because the poet makes us feel that , however remote they may be , they are of our own flesh and blood ; of like passions , temptations , strength , and weakness . It ...
... meaning and conception of the poet , they are intelligible to us , because the poet makes us feel that , however remote they may be , they are of our own flesh and blood ; of like passions , temptations , strength , and weakness . It ...
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الصفحة 360 - To sit on rocks, to muse o'er flood and fell, To slowly trace the forest's shady scene, . Where things that own not man's dominion dwell, And mortal foot hath ne'er or rarely been ; To climb the trackless mountain all unseen, With the wild flock that never needs a fold ; Alone o'er steeps and foaming falls to lean ; This is not solitude ; 'tis but to hold Converse with nature's charms, and view her stores unroll'd.
الصفحة 371 - twas a pleasing fear, For I was as it were a child of thee, And trusted to thy billows far and near, And laid my hand upon thy mane — as I do here.
الصفحة 379 - Ring out the grief that saps the mind, For those that here we see no more; Ring out the feud of rich and poor, Ring in redress to all mankind.
الصفحة 379 - Ring out false pride in place and blood, The civic slander and the spite; Ring in the love of truth and right, Ring in the common love of good. Ring out old shapes of foul disease, Ring out the narrowing lust of gold; Ring out the thousand wars of old, Ring in the thousand years of peace.
الصفحة 372 - Rome ! my country ! city of the soul ! The orphans of the heart must turn to thee, Lone mother of dead empires ! and control In their shut breasts their petty misery. What are our woes and sufferance ? Come and see The cypress, hear the owl, and plod your way O'er steps of broken thrones and temples, ye Whose agonies are evils of a day ! — A world is at our feet as fragile as our clay.
الصفحة 26 - I remember the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been, "Would he ' had blotted a thousand," which they thought a malevolent speech.
الصفحة 367 - It is the hour when lovers' vows Seem sweet in every whisper'd word; And gentle winds, and waters near, Make music to the lonely ear. Each flower the dews have lightly wet, And in the sky the stars are met, And on the wave is deeper blue, And on the leaf a browner hue, And in the heaven that clear obscure, So softly dark, and darkly pure, Which follows the decline of day, As twilight melts beneath the moon...
الصفحة 369 - Spit, fire! spout, rain! Nor rain, wind, thunder, fire, are my daughters: I tax not you, you elements, with unkindness; I never gave you kingdom, call'd you children, You owe me no subscription: then, let fall Your horrible pleasure; here I stand, your slave, A poor, infirm, weak, and despis'd old man.
الصفحة 374 - Keats, who was killed off by one critique, Just as he really promised something great, If not intelligible, without Greek Contrived to talk about the gods of late, Much as they might have been supposed to speak. Poor fellow ! His was an untoward fate ; 'Tis strange the mind, that very fiery particle, Should let itself be snuffed out by an article.
الصفحة 370 - And this is in the night : — Most glorious night ! Thou wert not sent for slumber ! let me be A sharer in thy fierce and far delight, — A portion of the tempest and of thee ! How the lit lake shines, a phosphoric sea, And the big rain comes dancing to the earth ! And now again 'tis black, — and now, the glee Of the loud hills shakes with its mountain-mirth, As if they did rejoice o'er a young earthquake's birth.