Medieval Architecture: Its Origins and Development, with Lists of Monuments and Bibliographies, المجلد 2Baker and Taylor Company, 1909 |
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النتائج 6-10 من 100
الصفحة 16
... piers : those facing the nave are continued to form an unmeaning system ; those at the ends of the piers carry the second order of the archivolts ; those facing the side aisles are continued to form a buttress to the exterior clearstory ...
... piers : those facing the nave are continued to form an unmeaning system ; those at the ends of the piers carry the second order of the archivolts ; those facing the side aisles are continued to form a buttress to the exterior clearstory ...
الصفحة 18
... piers carry the second orders of the archivolts ; shafts engaged on the face of the piers rise towards the roof . The monument has badly suffered from modern restorations . ( Lambin , 106. ) MONTMILLE , Oise . St. Maxien . This monument ...
... piers carry the second orders of the archivolts ; shafts engaged on the face of the piers rise towards the roof . The monument has badly suffered from modern restorations . ( Lambin , 106. ) MONTMILLE , Oise . St. Maxien . This monument ...
الصفحة 19
... piers with engaged pilasters supporting the second order of the great pointed archivolts . Both nave and side aisle are roofed in timber . The polygonal choir is covered with a radiating rib vault of six branches ; the ancient glass ...
... piers with engaged pilasters supporting the second order of the great pointed archivolts . Both nave and side aisle are roofed in timber . The polygonal choir is covered with a radiating rib vault of six branches ; the ancient glass ...
الصفحة 20
... piers , the crude capitals , indicate the style of the third quarter of the XI century . The remainder of the edifice must be at least a hundred years later , for the windows are all pointed , and , while there is no true tracery ...
... piers , the crude capitals , indicate the style of the third quarter of the XI century . The remainder of the edifice must be at least a hundred years later , for the windows are all pointed , and , while there is no true tracery ...
الصفحة 21
... piers . The walls are constructed of rubble ; the roof is in timber . A Greek cross in the gable recalls the Basse Oeuvre of Beauvais . ( Woillez , Appendix . ) CHIVRY - LÈS - ÉTOUVELLES , Aisne . Église . Of the structure of the XI ...
... piers . The walls are constructed of rubble ; the roof is in timber . A Greek cross in the gable recalls the Basse Oeuvre of Beauvais . ( Woillez , Appendix . ) CHIVRY - LÈS - ÉTOUVELLES , Aisne . Église . Of the structure of the XI ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
abaci Abbaye abbey absidioles Aisne ambulatory Amiens ancient archivolts assigned Aube Balle barrel vault bays long Beauvais Benoist bishop building Calvados capitals cathedral central tower characterized Chartres Cher chevet church clearstory colonnettes construction Dame decoration Église consists Enlart erected façade Fichot flanked flying buttresses four bays France gable glass Gothic architecture Gothic period groin vault half-dome Ile de France Kersers VII Laon later Lefèvre-Pontalis main arcade master builder medieval modern monument Morienval mouldings narthex Normandy Noyon Oise original ornament Paris piers pointed arches pointed barrel vault polygonal apse portal portions rebuilt reconstructed rectangular choir Reims Renaissance rib vault Romanesque roofed in timber roofed in wood round arches Sarthe sculpture Seine-et-Oise Seine-Inférieure semicircular apse sexpartite vault side aisles single-aisled nave Somme spire string-courses structure style surmounted three bays tracery transepts transitional triforium tury wall ribs Woillez XII century
مقاطع مشهورة
الصفحة 51 - I' Architecture Fran^aise. He has therein given a profound and exhaustive illustration of Gothic. $He has shown that this architecture consists primarily in a peculiar structural system, — a system which was a gradual evolution out of the arched Roman through the Romanesque, — and that its distinctive characteristic is that the whole scheme of the building is determined by, and its whole strength is made to reside in, a finely organized and frankly confessed framework rather than in walls.
الصفحة 417 - Histoire de la vie et des ouvrages des plus célèbres architectes du XI siècle jusqu'à la fin du XVIII, accompagnée de la vue du plus remarquable édifice de chacun d'eux.
الصفحة 133 - Et ab hcedis me sequestra. Statuens in parte dextra. Confutatis maledictis, Flammis acribus addictis, Voca me cum benedictis. Oro supplex et acclinis, Cor contritum quasi cinis : Gere curam mei finis. Lacrymosa dies illa, Qua resurget ex favilla, Judicandus homo reus. Huic ergo parce Deus, Pie Jesu, Domine, Dona eis requiem.
الصفحة 418 - Monumens de la France classés chronologiquement et considérés sous le rapport des faits historiques et de l'étude des arts, par le Comte Alexandre de Laborde.
الصفحة 427 - Monuments religieux de l'architecture romane et de transition dans la région picarde (anciens diocèses d'Amiens et de Boulogne), in Mémoires de la Société des antiquaires de Picardie, 1895.
الصفحة 183 - ... the mark of the collar ? If, again, the artisan worked long enough at any church, he naturally became attached to it, and it to him. The York Fabric Rolls show us worn-out head-masons or •Mr. Kingsley Porter (ii, 189) quotes an excellent example: "It is amusing to read in Gervase [of Canterbury] what infinite tact William of Sens was forced to employ to persuade the reluctant monks that it was necessary to destroy the charred fragments of the glorious choir of Conrad.
الصفحة 317 - ... lecture by itself. Infinite in their variety, they are all under the same inspiration. Laon has its perfectly proportioned plan and its great scheme of seven clustering spires; Soissons has its wonderful south transept which Porter calls " one of the most ethereal of all twelfth century designs and the highest expression of that fairy-like, Saracenic phase of Gothic art that had first come into being at Noyon.
الصفحة 426 - Rapport à M. le Ministre de l'intérieur sur les monuments, les bibliothèques, les archives et les musées des départements de l'Oise, de l'Aisne, de la Marne, du Nord et du Pas-de-Calais , par ML Vitet.
الصفحة 51 - Romanesque, — and that its distinctive characteristic is that the whole scheme of the building is determined by, and its whole strength is made to reside in, a finely organized and frankly confessed framework rather than in walls. This framework, made up of piers, arches, and buttresses, is freed from every unnecessary encumbrance of wall, and is rendered as light in all its parts as is compatible with strength...
الصفحة 246 - ... tota in coeli puritate, demorari, ab hac etiam inferiori ad illam superiorem anagogico more Deo donante posse transferri