 | Samuel Johnson - 1979 - عدد الصفحات: 138
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
 | David Daiches - 1979 - عدد الصفحات: 336
...scenes or leaps in time than the convention that a particular actor "is" Julius Caesar or Alexander. "The necessity of observing the unities of time and...supposed necessity of making the drama credible." But nobody expects drama to be credible in that way. The truth is, that the spectators are always in... | |
 | John L. Mahoney - 1980 - عدد الصفحات: 792
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
 | Harold Bloom - 1985 - عدد الصفحات: 544
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
 | 1987 - عدد الصفحات: 1026
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
 | Manfred Pfister - 1988 - عدد الصفحات: 364
...gave him the inspiration to do this. In the 'Preface' to his 1765 edition of Shakespeare, he wrote: The necessity of observing the unities of time and...supposed necessity of making the drama credible. The objection arising from the impossibility of passing the first hour at Alexandria and the next at Rome,... | |
 | Michael J. Sidnell - 1991 - عدد الصفحات: 298
...received, by discovering that they have given more trouble to the poet, than pleasure to the auditor. The necessity of observing the unities of time and place arises from the 26 In the omitted passage immediately above. supposed necessity of making the drama credible <In/n>.... | |
 | Hazard Adams - 1992 - عدد الصفحات: 1304
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
 | 1993 - عدد الصفحات: 946
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
| |
Corneille, they have very generally received, by discovering that they have given more trouble to the poet than pleasure to the auditor. The necessity of observing the unities of time and place arises from the supposed necessity of making the drama credible. 
