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" The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Rome, supposes that when the play opens, the spectator really imagines himself at Alexandria, and believes that his walk to the theatre has been a voyage... "
The Dramatick Writings of Will. Shakspere: With the Notes of All the Various ... - الصفحة 131
بواسطة William Shakespeare - 1788
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A New Variorum Edition of Shakespeare: The winter's tale. 1898

William Shakespeare - 1898 - عدد الصفحات: 462
...fable in its materiality was ever credible, or, for a single moment, was ever credited. ' The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Kome, supposes that when the play opens the spectator really imagines himself at Alexandria, and believes...

A New Variorum Edition of Shakespeare, المجلد 11

William Shakespeare - 1898 - عدد الصفحات: 462
...fable in its materiality was ever credible, or, for a single moment, was ever credited. 1 The objection arising from the impossibility of passing the first hour at Alexandria, and the next at Kome, supposes that when the play opens the spectator really imagines himself at Alexandria, and believes...

Selections in English Prose from Elizabeth to Victoria, 1580-1880

James Mercer Garnett - 1899 - عدد الصفحات: 728
...fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first...himself at Alexandria, and believes that his walk to me theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra. Surely...

Chambers's Cyclopædia of English Literature, المجلد 2

Robert Chambers - 1902 - عدد الصفحات: 864
...fable in its materiality was ever credible, or for a single moment was ever credited. The objection nature and grounds of faith or opinion ; whereby I mean reall}' imagines himself at Alexandria, and believes that hi* walk to the theatre has been a voyage...

Eighteenth Century Essays on Shakespeare

David Nichol Smith - 1903 - عدد الصفحات: 450
...fable in its materiality was ever credible, or, for a single moment, was ever credited. The objection arising from the impossibility of passing the first...lives in the days of Antony and Cleopatra. Surely he L^ that imagines this may imagine more. He that can take the stage at one time for the palace of the...

English Essays

Walter Cochrane Bronson - 1905 - عدد الصفحات: 426
...fable in its materiality was ever credible or for a single moment was ever credited. The objection arising from the impossibility of passing the first...play opens, the spectator really imagines himself 10 at Alexandria, and believes that his walk to the theatre has been a voyage to Egypt and that he...

The British classical authors: with biographical notices. On the basis of a ...

Ludwig Herrig - 1906 - عدد الصفحات: 844
...credible, or, for a single moment, was ever credited. The objection arising from the im- no possibility of passing the first hour at Alexandria, and the next...imagines himself at Alexandria, and believes that his us walk to the theatre has been a voyage to Egypt, and that he lives in the days of Antony and Cleopatra,...

Racine et Shakespeare

Stendhal - 1907 - عدد الصفحات: 258
...fable, in its materiality, was ever credible, or, for a single moment, was credited. The objection arising from the impossibility of passing the first...that he lives in the days of Antony and Cleopatra. . . . Delusion, if delusion be admitted, haï no certain limitation ; if the spectator can be once...

Racine Et Shakespeare

Stendhal - 1907 - عدد الصفحات: 254
...was credited. The objection arising from the impossibility of passing the first hour at Alexandriu, and the next at Rome, supposes that, when the play opens, the spectator really imagines himself at Alexandriu, and believes that his walk to the theatre has been a voyage to Egypt, and that he lives...

Mrs. Montagu, 1720-1800: An Essay Proposed as a Thesis to the Faculty of ...

René Louis Huchon - 1907 - عدد الصفحات: 330
...Cleopatra^ for instance, does the spectator really "imagine himself at Alexandria"? does he believe "that his walk to the theatre has been a voyage to Egypt"? If a London stage stands for Alexandria, why should it not stand for Rome also? "Delusion, if delusion...




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