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" It is credited, whenever it moves, as a just picture of a real original ; as representing to the auditor what he would himself feel, if he were to do or suffer what is there feigned to be suffered or to be done. The reflection that strikes the heart is... "
Mr. Johnson's Preface to His Edition of Shakespear's Plays.. - الصفحة xxviii
بواسطة Samuel Johnson - 1765 - عدد الصفحات: 72
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Court Magazine, and Monthly Critic, المجلد 10

1837 - عدد الصفحات: 336
...suffer what is there feigned to be suffered or to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be exposed. The delight of tragedy proceeds from our consciousness of fiction : if we...

Court Magazine, and Monthly Critic: Containing Original Papers ..., المجلد 10

1837 - عدد الصفحات: 348
...suffer what is there feigned to be suffered or to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be exposed. The delight of tragedy proceeds from our consciousness of fiction : if we...

Complete Works: With Dr. Johnson's Preface, a Glossary, and an Account of ...

William Shakespeare - 1838 - عدد الصفحات: 1130
...suffer what is there feigned to be suffered or to be done. The reflection that strikes the heart is not, x0 :y k E]X<7 w R (K & π = _ = ݬ h c ourselves may be exposed. If there be any fallacy, it is not that we fancy the players, but that we...

The Dramatic Works of William Shakspeare, المجلد 1

William Shakespeare - 1839 - عدد الصفحات: 550
...suffer what is there feigned to be suffered or to be done. The reflection that strikes the heart is not, that the evils before us are real evils, but that they are evils to which w'e ourselves may be exposed. If there be any fallacy, it is not that we fancy the players, but that we...

-III

William Shakespeare - 1841 - عدد الصفحات: 316
...what is there feigned to be suffered or to be done. The reflection that strikes the heart, is not, that the evils before us are real evils, but that they are evils to which we ourselves may be exposed. If there be any fallacy, it is not that we fancy the players, but that we...

Blackwood's Edinburgh Magazine, المجلد 56

1844 - عدد الصفحات: 834
...suffer what is there feigned to be suffered or to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be exposed. * * * The delight of tragedy proceeds from our consciousness of fiction ;...

Blackwood's Edinburgh Magazine, المجلد 56

1844 - عدد الصفحات: 828
...suft'er what is there feigned to be suffered or to be done. The reflection that strikes the heart is not that the evils before us are real evils, but that they are evils to which we ourselves may be exposed. » » » The delight of tragedy proceeds from our consciousness <if fiction...

The Plays and Poems of Shakespeare,: According to the Improved ..., المجلد 1

William Shakespeare - 1844 - عدد الصفحات: 348
...what is there feigned to be suffered or to be done. The reflection that strikes the heart, is not, that the evils before us are real evils, but that they are evils to which we ourselves may be exposed. If there be any fallacy, it is not that we fancy the players, but that we...

The Beauties of Johnson: Choice Selections from His Works

Samuel Johnson - 1851 - عدد الصفحات: 360
...had not before. Rambler, vol. 1. Tragedy. The reflection that strikes the heart at a tragedy is, not that the evils before us are real evils, but that they are evils to which we ourselves .may be exposed. If there be any fallacy, it is not that we fancy the players, but that we...

The Beauties of Johnson: Choice Selections from His Works

Samuel Johnson - 1853 - عدد الصفحات: 336
...had not before. Rambler, vol. 1. Tragedy. The reflection that strikes the heart at a tragedy is, not that the evils before us are real evils, but that they are evils to whieh we ourselves may be exposed. If there be any fallacy, it is not that we fancy the players, but...




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