| Archibald Alexander - 1853 - عدد الصفحات: 660
...she smote Sisera: She smote off his head, when she had pierced, And stricken through his temples. At her feet he bowed — he fell — he lay down —...fell — Where he bowed, there he fell down dead. The mother of Sisera looked out at a window, And cried through the lattice, Why is his chariot so long... | |
| Robert Shittler - 1853 - عدد الصفحات: 718
...smote Sisera, she smote off his head, when she had pierced and stricken through his temples. 27 "At tood still, and the moon stayed, until the people...themselves upon their enemies. Is not this written in 28 The mother of Sisera looked out at a window, and cried through the lattice, Whyis his chariot so... | |
| Samuel Taylor Coleridge - 1853 - عدد الصفحات: 764
...beauty of the highest kind ; as illustrated by Mr. Wordsworth himself from the song of Deborah. At Iier feet he bowed, he fell, he lay down ; at her feet...he fell : where he bowed, there he fell down dead. Judges v. 27. CHAPTER XVIII. LANGUAGE OP METRICAL COMPOSITION, WHY AND WHEREIN ESSENTIALLY DIFFERENT... | |
| 1853 - عدد الصفحات: 1116
...smote Sisera, she smote off his head, when she had pierced and stricken through his temples. 27 tAt ped in the brim of the water, tdead. 28 The mother of Sisera looked out at a window, and cried through the lattice, Why is his chariot... | |
| Samuel Taylor Coleridge - 1853 - عدد الصفحات: 556
...its superfluity — when in the highest degree — in lyric repetitions and sublime tautology — (at her feet he bowed, he fell, he lay down; at her feet...he bowed, he fell ; where he bowed, there he fell dawn dead) — and, in lower degrees, in making the words themselves the subjects and materials of... | |
| 1853 - عدد الصفحات: 764
...smote off his head,8 When she had pierced and stricken through his temples. 27 At her feet he bowed, ho zQ. 28 The mother of Sisera looked out at a window,— and cried through the lattice, Why is his chariot... | |
| Samuel Taylor Coleridge - 1853 - عدد الصفحات: 622
...of the highest kind, as illustrated by Mr. Wordsworth himself from the song of Deborah. "At her feel Friends, whom I never more may meet again, On springy heath, along the hi bouxd, there he fell down dead." CHAPTER XVIII. Language оГ metrical composition, why and wherein... | |
| Samuel Taylor Coleridge - 1853 - عدد الصفحات: 760
...kind ; as illustrated by Mr. Wordsworth himself from the song of Deborah. At her feet he bowed, hefdl, he lay down ; at her feet he bowed, he fell : where he bowed, there he fett down dead. Judges v. 27. CHAPTER XVIII. LANGUAGE OF METRICAL COMPOSITION, WHY AND WHEREIN ESSEXTIALLY... | |
| 1853 - عدد الصفحات: 1110
...hammered. u Ps. 57. 8. 12 "Awake, awake, Deborah : awake, awake, utter a song : arise, Barak, and 27 tAt her feet he bowed, he fell, he lay down : at her feet he bowed, t Heb. Between. x Ps. 68. 18. xlead thy captivity captive, thou son of Abinoam. 13 Then he made him... | |
| Samuel Taylor Coleridge - 1854 - عدد الصفحات: 766
...illustrated by Mr. Wordswortn himself from the soug of Deborah. At her feet he bowed, he fell, Jte lay down ; at her feet he bowed, he fell : where he bowed, there he fell down dead. Judges v. 27. A * CHAPTER XVIII. LANGUAGE OF METRICAL COMPOSITION, WHY AND WHEREIN ESSENTIALLY DIFFERENT... | |
| |