...larbaric translation was read almost exclusively. With the revival of classical studies in Italy, nt the end of the fourteenth and the beginning of the fifteenth century, the writings of Aristotle and the mode of treating them experienced a revolution. The struggle between...

...Crowe and Cavalcaselle," vol. ii. p. 79. to a family of painters of some reputation, who lived towards the end of the fourteenth and the beginning of the fifteenth century. Neri belonged to the third generation, whose works mark a decline in art ; for the Bicci were among...

...Crowe and Cavalcaselle," vol. ii. p. 79. to a family of painters of some reputation, who lived towards the end of the fourteenth and the beginning of the fifteenth century. Neri belonged to the third generation, whose works mark a decline in art ; for the Bicci were among...

...the one which we now know), a regular extatio frenzy, which was epidemic in several German villages at the end of the fourteenth and the beginning of the fifteenth century, because the individuals suffering from it went on a pilgrimage to St. Vitus's Chapel, at Dresselhansen,...

...confessor to Henry V. It gives an insight into the religions ami philosophical controversies which mark the end of the fourteenth and the beginning of the fifteenth century. FINE ROLLS. Excerpta e Rotnlis Finium in Turn Londinensi asservatis, Vol. I., from AD 1216 to 1246....

...conlessor to Henry V. It gives an insight into the religion'; and philosophical controversies which mark the end of the fourteenth and the beginning of the fifteenth century. FINE ROLLS. Excerpta e Rotulis Finium in Turri Londinensi asservatis, Vol. I., from AD 1216 to 1246....

...Rouen was a great centre of Art in glass, probably founded by Clement of Chartres ; whilst towards the end of the fourteenth and the beginning of the fifteenth century, Guillaume Canonce and other artists whose names are known, were working there.]: It is, on blue. The...

...description can give an idea, was, if we may so say, the arena wherein all the most famous goldsmiths met." * At the end of the fourteenth, and the beginning of the fifteenth century, Luca della Robbia, the great potter ; Filippo Brunelleschi, the architect and sculptor ; Donate di...

...repeating the same subject. We now, however, come to the important step which Rhenish art made between the end of the fourteenth and the beginning of the fifteenth century. Artists had long since found themselves obliged to examine the variety which Nature presented, owing...

...repeating the same subject. We now, however, come to the important step which Ehenish art made between the end of the fourteenth and the beginning of the fifteenth century. Artists had long since found themselves obliged to examine the variety which Nature presented, owing...