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" The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind ; nor have we the most distant notion of the place where these scenes are represented, or of the materials of which it is composed. "
The Principles of psychology v. 1 - الصفحة 350
بواسطة William James - 1890
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A Theory of Knowledge

Charles Augustus Strong - 1923 - عدد الصفحات: 124
...it at one time, nor identity in different . . ." And he adds : " The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind." In this he was not wrong, if by perceptions we mean apprehended data; or if by the term we mean sensations,...

Five Lectures on the Problem of Mind, المجلد 4

Gustavus Watts Cunningham - 1925 - عدد الصفحات: 146
...mingle in an infinite variety of postures and situations. . . . The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is composed."3 The case against the traditional view of mind may,...

The Principles and Problems of Philosophy

Roy Wood Sellars - 1926 - عدد الصفحات: 548
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is composed."1 Hume was convinced that we are confined to these changing...

The Principles and Problems of Philosophy

Roy Wood Sellars - 1926 - عدد الصفحات: 568
...to imagine that simplicity and identity. The comparison of the theatre must not mislead us. (J'hey are the successive perceptions only, that constitute...of the place, where these scenes are represented, or of the materials, of which it is composed.'^) Hmne was convinced that we are confingd to these changing...

Problems of Philosophy: An Introductory Survey

Gustavus Watts Cunningham - 1924 - عدد الصفحات: 480
...natural propension we have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind. . . . " * Hume admits, as he must of course, that these ' perceptions ' or experiences, in spite of...

Selections, المجلد 10

David Hume - 1927 - عدد الصفحات: 444
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd. What then gives us so great a propension to ascribe an...

Philosophers Speak for Themselves: Berkeley, Hume, and Kant

Thomas Vernor Smith, Marjorie Grene - 1957 - عدد الصفحات: 384
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...the most distant notion of the place, where these senses are represented, or of the materials, of which it is compos'd. What then gives us so great a...
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Relativism and contextualism

Henri Lauener - 1993 - عدد الصفحات: 328
...and mingle in an infinite variety of postures and situations ... The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind ... 5 Hume's conclusion that the mind is merely a bundle of resem3. David Hume, A Treatise of Human...
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A Personal Anthology

Jorge Luis Borges - 1967 - عدد الصفحات: 234
...mingle in an infinite variety of postures and situations. . . . The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd." Once the idealist argument is admitted, it is my understanding...
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Hume's Theory of Consciousness

Wayne Waxman - 2003 - عدد الصفحات: 368
...propension we may have to imagine that simplicity and identity. The comparison of the theatre must not mislead us. They are the successive perceptions...of the place, where these scenes are represented, or of the materials, of which it is compos'd. (7252f.; see also 7207, TApp634f., and />IV.28f.)2«...
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