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" Demand me nothing ; what you know, you know : From this time forth I never will speak word. "
The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections ... - الصفحة 543
بواسطة William Shakespeare - 1793
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Stranger Gods: Salman Rushdie's Other Worlds

Roger Young Clark - 2001 - عدد الصفحات: 252
...discover the real identity of Oopervala until ninety pages later: echoing the devilish lago, who says, "Demand me nothing, what you know, you know, / From this time forth I never will speak word,"8 the satanic narrator says, "I'm saying nothing," yet then tells readers that it was he...
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Symplectic Geometry and Mirror Symmetry: Proceedings of the 4th KIAS Annual ...

Kodŭng Kwahagwŏn (Korea). International Conference, Kenji Fukaya - 2001 - عدد الصفحات: 940
...that he "demand that demi-devil / Why he hath thus ensnar'd my soul and body," lago remains defiant: "Demand me nothing, what you know, you know, / From this time forth I never will speak word" (5.2.302-5). 'Why hath he?' we too want to ask. Shakespeare, as silent here as his lago,...
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Absent in the Spring and Other Novels: Absent in the Spring -- Giant's Bread ...

Mary Westmacott - 2001 - عدد الصفحات: 660
...understand lago," he said. "I understand even why the poor devil never says anything in the end except "Demand me nothing, what you know, you know. From this time forth, I never will speak word." He turned on me. "Fellows like you, Norreys, fellows who've lived on good terms with yourself...
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Shakespeare's Noise

Kenneth Gross - 2001 - عدد الصفحات: 304
...demand that demi-devil / Why he hath thus ensnared my soul and body?" (5 . 2 . 298 -99). lago responds, "Demand me nothing. What you know, you know. / From this time forth I never will speak word" (300— 301). This is lago mystifying motives even at the end of things, at once provoking...
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Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life

Charles Baxter, Peter Turchi - 2001 - عدد الصفحات: 276
...as the result of lago's conscious lies, "Why he hath thus ensnared my soul and body?" And lago says, "Demand me nothing. What you know, you know. / From this time forth I never will speak a word." The stone has broken in two, the illusion is exposed, and silence takes over. To live...
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Putting History to the Question: Power, Politics, and Society in English ...

Michael Neill - 2000 - عدد الصفحات: 556
...gesture of concealment, we may discern the official equivalent of lago's retreat into obdurate silence: "Demand me nothing. What you know, you know: / From this time forth I never will speak word" (11. 300-1). lago will no more utter his "cause" than Othello can nominate his; what they...
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The Time is Out of Joint: Shakespeare as Philosopher of History

Agnes Heller - 2002 - عدد الصفحات: 390
...falsity and remains fooled by the witches until the last minute of his life. lago speaks of silence: "Demand me nothing. What you know, you know. / From this time forth I never will speak word" (Othello 5.2.309-10). Regan, who allied herself against her father and her sister Cordelia...
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Temps et vision tragique: Shakespeare et ses contemporains

Gisèle Venet - 2002 - عدد الصفحات: 350
...absolute, / That not another comfort like to this / Succeeds in unknown fate». 17. V, II, 286-287 : «Demand me nothing, what you know, you know; / From this time forth, I never will speak word». 18. II, III, 338 : «l'll pour this pestilence into his ear» ; II, II!, 340-341 : «And...
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Shakespeare's Tragic Skepticism

Millicent Bell - 2002 - عدد الصفحات: 316
...has tossed at us. In response to Othello's final question as to his own motives, lago only mutters, "Demand me nothing. What you know, you know/ From this time forth I never will speak word." His cryptic statement "I am not what I am" has been taken to mean "I am not what I seem,"...
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Shakespeare Survey, المجلد 38

Stanley Wells - 2002 - عدد الصفحات: 276
...sometimes been regarded as a weakness in the play. Certainly his final speech, answering Othello's 'Why?', Demand me nothing: what you know, you know: From this time forth I never will speak word. (5.2.301-3) is no explanation, but lago has opened the play with what, for an Elizabethan...
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