 DURING the first year that Mr. Wordsworth and I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of...  Blackwood's Magazine - الصفحة 5351834عرض كامل - لمحة عن هذا الكتاب
 | Samuel Taylor Coleridge - 1895 - عدد الصفحات: 272
...turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by 5 the modifying colours of imagination. The sudden charm, which accidents of light and shade, which... | |
 | Sir Henry Craik - 1896 - عدد الصفحات: 800
...turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...modifying colours of imagination. The sudden charm which accidents of light and shade, which moonlight or sunset diffused over a known and familiar landscape,... | |
 | Charles Edwyn Vaughan - 1896 - عدد الصفحات: 366
...turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...modifying colours of imagination. The sudden charm, which accidents of light and shade, which moonlight or sunset, diffused over a known and familiar landscape,... | |
 | Samuel Taylor Coleridge - 1897 - عدد الصفحات: 156
...frequently on the two cardinal points of poetry, the power of exciting the sympapathy of the reader by a faithful adherence to the truth of nature, and...modifying colours of imagination. The sudden charm, which accidents of light and shade, which moonlight or sunset, diffused over a known and familiar landscape,... | |
 | R. McWilliam - 1897 - عدد الصفحات: 176
...turned chiefly on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...novelty by the modifying colours of imagination. The thought suggested itself that a series of poems might be composed of two sorts. In the one the incidents... | |
 | William Wordsworth, Samuel Taylor Coleridge - 1898 - عدد الصفحات: 263
...bea-anad. on the two .cardi¿a¿points of ¿p¿try, the power of exciting tile sympalhy of the r¿er by a faithful adherence to the truth of nature, and...modifying colours of imagination. The sudden charm, which accidents of light and shade, which moonlight or sunset, diffused over a known and familiar landscape,... | |
 | Samuel Taylor Coleridge - 1898 - عدد الصفحات: 166
...turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...modifying colours of imagination. The sudden charm, which accidents of light and shade, which moonlight or sunset, diffused over a known and familiar landscape,... | |
 | Samuel Taylor Coleridge, Andrew Lang - 1898 - عدد الصفحات: 300
...between them on " the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature ; and...novelty by the modifying colours of imagination." The two friends were to illustrate these points ; Coleridge by verses of a " supernatural " cast ; Wordsworth... | |
 | Samuel Taylor Coleridge - 1898 - عدد الصفحات: 300
...between them on " the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature ; and...novelty by the modifying colours of imagination." The two friends were to illustrate these points ; Coleridge by verses of a " supernatural " cast ; Wordsworth... | |
 | Samuel Taylor Coleridge - 1898 - عدد الصفحات: 96
...frequently on the two cardinal points of poetry, — the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and...of giving the interest of novelty, by the modifying colors of the imagination. The sudden charm which accidents of light and shade, which moonlight or... | |
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