| Samuel Johnson - 1908 - عدد الصفحات: 254
...expectations of human affairs from the play, or from the tale, would be equally deceived. Shakespeare has no heroes ; his scenes are occupied only by men,...natural passions and most frequent incidents ; so that ^hV "wKTcoritemplates them in the book will not know them in the world : Shakespeare approximates the... | |
| William Caxton, Jean Calvin, Nicolaus Copernicus, Francis Bacon, Edmund Spenser, Sir Walter Raleigh, Isaac Newton, Henry Fielding, Samuel Johnson, Johann Wolfgang von Goethe, William Wordsworth, Walt Whitman - 1910 - عدد الصفحات: 458
...expectations of human affairs from the play, or from the tale, would be equally deceived.^ Shakespeare has no heroes; his scenes are occupied only by men,...supernatural the dialogue is level with life. Other writers j disguise the most natural passions and most frequent incidents; so that he who contemplates them... | |
| Alphonso Gerald Newcomer, Alice Ebba Andrews - 1910 - عدد الصفحات: 778
...expectations' of human affairs from the play, or from the tale, would be equally deceived. Shakespeare ming, to preserve my breathing, and pilot myself towards the \» level with life. Other writers disguise the most natural passions and most frequent incidents;... | |
| Hans Meier - 1916 - عدد الصفحات: 124
...wahrhafteNatürlichkeit. Die Charaktere sollen dem Leben entnommen, sollen Menschen sein. Shakespeare vor allen andern has no heroes; his scenes are occupied only by men,...the reader thinks that he should himself have spoken and acted on the same occasion.13) Als ausgesprochener Gegner alles Unnatürlichen") verwirft Johnson... | |
| University of Wisconsin - 1923 - عدد الصفحات: 594
...principles by which all minds are agitated, and the whole system of life is continued in motion Shakespeare has no heroes ; his scenes are occupied only by men,...himself have spoken or acted on the same occasion.™* If, then, these authentic persons act according to "those general passions and principles by which... | |
| William Roscoe Thayer - 1909 - عدد الصفحات: 842
...transactions of the world, and a confessor predict the progress of the passions. . . . Shakespeare has no heroes ; his scenes are occupied only by men, who act and speak as the reader thinks he himself would have spoken or acted on the same occasion. . . . Shakespeare approximates the remote... | |
| Samuel Johnson - 1908 - عدد الصفحات: 256
...expectations of human affairs from the play, or from the tale, would be equally deceived. Shakespeatt- has no heroes ; his scenes are occupied only by men, who act and speak as th«- reader thinks that he should himself have spoken or acted on the same occasion : Even where the... | |
| Thora Burnley Jones, Bernard De Bear Nicol - 1976 - عدد الصفحات: 200
...with Johnson's assumption concerning the need for drama to be the mirror of life, for characters to be men who 'act and speak as the reader thinks that he should himself have spoken or acted ' and for dialogue to operate at the level of life, the central section of the Preface explains itself... | |
| David Bromwich - 1987 - عدد الصفحات: 320
...omission was as inevitable as it was involuntary. Accordingly, Johnson can assert that "Shakespeare has no heroes; his scenes are occupied only by men,...he should himself have spoken or acted on the same occasion."10 The main effect of such judgements is to conciliate esteem for the middle station of life:... | |
| Brian Vickers - 1995 - عدد الصفحات: 585
...expectations of human affairs from the play, or from the tale, would be equally deceived. Shakespeare has no heroes; his scenes are occupied only by men,...agency is supernatural the dialogue is level with life.3 Other writers disguise the most natural passions and most frequent incidents; so that he who... | |
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