...serious and ludicrous characters, and, in the successive evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter....instruct by pleasing. That the mingled drama may convey aH the instruction of tragedy or comedy cannot be denied, because it includes both in its alternations...

...evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter. Thaj; this is a practice contrary to the rules of criticism...instruct by pleasing. That the mingled drama may convey^ alLthe-instructiou of tragedy or comedy cannojjbejdenied, because. jt_ includes both in its alternations...

...From this remark it appears that Johnson was unacquainted with the Cyclops of Euripides. Sieaitns. will be readily allowed; but there is always an appeal...That the mingled drama may convey all the instruction if tragedy or comedy cannot be denied, because it includes both in it* alternatiuns of exhibition,...

...serious and ludicrous characters, and, in the successive evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter....from criticism to nature. The end of writing is to » The critic must, when he wrote this, have forgotten the Cyclops of Euripides, and also the fact,...

...serious and ludicrous characters, and, in the successive evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter....from criticism to nature. The end of writing is to i The critic must, when he wrote this, have forgotten the Cyclops of Eu ripides, and also the fact,...

...serious and ludicrous characters, and, in the successive evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter....from criticism to nature. The end of writing is to J The critic must, when he wrote this, have forgotten the Cyclops of Euripides, and also the fact,...

...serious and ludicrous characters, and, in the successive evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter....rules of criticism will be readily allowed ; but there № always an appeal open from criticism to nature. The end of writing is to instruct ; the end of...

...serious and -ludicrous characters, and, in the successive evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and-,...laughter. That this is a practice contrary to the rules of criticjsSL will be readily allowed; but there is always an appeal • open from criticism to nature....

...evolutions of the design, sometimes produce seriousness and sorrow, and sometimes levity and laughter. writing is to instruct ; the end of poetry is to instruct...by pleasing. That the mingled drama may convey all ;he instruction of tragedy or comedy cannot be denitd, because it includes both in its alternations...

...seriousness and sorrow, and sometimes lent) und laughter. That this is a practice contrary to the rules нГ nt; but the word is over-worn. [Exit. Vio. This fellow's...the ioul ; And, to do that well, craves a kind of wi ; I hi end of poetry is to instruct by pleasing. That the mingled drama may convey all Hie instruction...