...which Poetry would be made subsequent, or indeed rather precedent, as being less suttle and fine, but more simple, sensuous and passionate. I mean not here...rudiments of Grammar; but that sublime Art which in Aristotles Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazzoni, and others,...

...which poetry would he made suhsequent, or indeed rather precedent, as heing less suhtle and fine, hut more simple, sensuous and passionate: I mean not here the prosody of a verse which they could not hut have hit on hefore among the rudiments of grammar, hut that suhlime art which in Aristode's Portics,...

...indeed rather precedent,0 as being less subtle0 and fine, but more simple, sensuous, and passionate.0 I mean not here the prosody of a verse, which they...grammar, but that sublime art which in Aristotle's Poesies, in Horace,0 and the Italian commentaries of Castelvetro,0 Tasso,0 Ma22oni0 and others, teaches...

...but the rules of genre. This point is easily borne out by Milton's comment: the study of poetry is "that sublime art which in Aristotle's Poetics, in...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,...

...passionate," should have precedence of logic; not, of course, the mere 'prosody of a verse,' as he terms it, but 'that sublime art which, in Aristotle's poetics,...and the Italian commentaries of Castlevetro, Tasso, Mazzoni, and others, teaches what the laws are of a true epic poem, what of a dramatic, what of a lyric,...

...poetry would be made subsequent, or, indeed, rather precedent, as being less subtile and fine, but more simple, sensuous, and passionate ; I mean not...Poetics, in Horace, and the Italian commentaries of Castelvetro, Tasso, Mazzoni,38) and others, teaches what the laws are of a true epic poem, what of...

...which Poetry would be made subsequent, or indeed rather precedent, as being lesse suttle and fine, but more simple, sensuous, and passionate. I mean not...rudiments of grammar; but that sublime art which in Aristotles poetics, in Horace, and the Italian commentaries, . . . teaches what the laws are of a true...

...which Poetry would be made subsequent, or indeed rather precedent, as being less suttle and fine, but more simple, sensuous and passionate. I mean not here...rudiments of Grammar ; but that sublime Art which in Aristotles Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazzoni, and others,...

...taught out of the rule of Plato, Aristotle, Phalereus, Cicero, Herfhogenes, Longinus'; and, lastly, 'that sublime art which, in Aristotle's Poetics, in Horace, and the Italian Commentaries of Castelvetro, Tasso, Mazzoni, and others, teaches what the laws are of a true Epic Poem, what of a Dramatic,...