 | Eric Bogosian - 2002 - عدد الصفحات: 136
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
 | Stephen Halliwell - 2009 - عدد الصفحات: 440
...human experience, are intentionally signified and embodied in them. In the words of Samuel Johnson, "imitations produce pain or pleasure not because they...for realities, but because they bring realities to mind."32 Perceiving or grasping likeness is interpreted by Aristotle as an important mode of discernment... | |
 | Emily A. Haddad - 2001 - عدد الصفحات: 248
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
 | Jerrold Levinson - 2005 - عدد الصفحات: 844
...first act to the last, that the stage is only a stage, and that the players are only players. . . . The delight of tragedy proceeds from our consciousness...murders and treasons real, they would please no more' (Johnson 1969: 27-8). Johnson is well aware that the audience's 'consciousness of fiction' raises a... | |
 | Robert Crawford - 2003 - عدد الصفحات: 258
[ عذرًا، محتوى هذه الصفحة مقيَّد ] | |
 | Robert Crawford - 2003 - عدد الصفحات: 268
...to say that Shakespeare invented us, but he does intimate the true tenor of Shakespearean mimesis: 'Imitations produce pain or pleasure, not because...for realities, but because they bring realities to mind.'40 You shall have no god but Shakespeare, Johnson argued, and the men of Edinburgh, just as they... | |
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The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real they would please no more. 11 Imitations produce pain or pleasure not because they are mistaken for realities, but because they bring realities... 
