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" The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players. "
Miscellaneous and Fugitive Pieces - الصفحة 77
بواسطة Samuel Johnson - 1774 - عدد الصفحات: 375
عرض كامل - لمحة عن هذا الكتاب

Complete Works: With Dr. Johnson's Preface, a Glossary, and an Account of ...

William Shakespeare - 1838 - عدد الصفحات: 1130
...truth is, that the spectators are always in their senses, and know, from the first act to the last, just gesture and elegant modulation. The lines relate to some action, and an action must be in some...

The complete works of William Shakspeare, with notes by the most ..., المجلد 1

William Shakespeare - 1838 - عدد الصفحات: 790
...senses, and know, from the lirsl act to the last, that the stage is only a stage, and the players »re but to spite my wife,) Upon mine hostess there : good sir, make h wilh just gesture and elegant modulation. The lines relate to some action, and an action must be in...

The Dramatic Works of William Shakspeare, المجلد 1

William Shakespeare - 1839 - عدد الصفحات: 550
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some...

History of England from the Peace of Utrecht to the Peace of ..., المجلد 2

Earl Philip Henry Stanhope Stanhope - 1839 - عدد الصفحات: 532
...first. " The spectators," says Johnson, " are always in their senses, " and know from first to last that the stage is only " a stage, and that the players are only players." * " Our thoughtless sex is caught by outward form, " And empty noise, and loves itself in man." " Each...

-III

William Shakespeare - 1841 - عدد الصفحات: 316
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some...

History of England: From the Peace of Utrecht to the Peace of Aix ..., المجلد 1

Earl Philip Henry Stanhope Stanhope - 1841 - عدد الصفحات: 464
...first. " The spectators," says Johnson, " arc always in their senses, and " know from first to last that the stage is only a stage, and that the " players are only players." But docs not this argument, in fact, amount to this — that art is not perfect, and that therefore...

The Discourses of Sir Joshua Reynolds

Sir Joshua Reynolds - 1824 - عدد الصفحات: 318
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture and elegant modulation." In revising this note, I wish the student distinctly to understand,...

The Plays and Poems of Shakespeare,: According to the Improved ..., المجلد 1

William Shakespeare - 1844 - عدد الصفحات: 348
...truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players...come to hear a certain number of lines recited with just gesture and elegant modulation. The lines relate to some action, and an action must be in some...

History of England from the Peace of Utrecht to the Peace of Paris, المجلد 1

Earl Philip Henry Stanhope Stanhope - 1849 - عدد الصفحات: 602
...the first. "The spectators," says Johnson, "are always in their senses, and know from first to last that the stage is only a stage, and that the players are only players." But does not this argument, in fact, amount to this — that art is not perfect, and that therefore...

History of England from the Peace of Utrecht to the Peace of Aix-la-Chaoelle ...

Philip Henry Stanhope (5th earl.) - 1853 - عدد الصفحات: 430
...first. " The spectators," says Johnson, " are always in their " senses, and know from first to last that the stage is only " a stage, and that the players are only players." But does not this argument, in fact, amount to this — that art is not perfect, and that therefore...




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